What I do.
Director, Writer, Actor, & Producer.
Having completed my undergraduate and Honours degrees in screen production at Flinders University, as well as working on a plethora of independent and studio productions, my experience is well-rounded and I am capable of taking on any filmmaking challenge.
With a co-writing credit on an upcoming feature film, Planet Caravan, a directorial credit on a television pilot, Club Rules, and multiple award-winning short films written, directed, produced, and starring, anything narrative-based is my bread and butter.
My credits include:
The Experimental School of MUD (Documentary, Director, 2022), Club Rules (TV Pilot, Channel 44, Co-Director), Alpha (48-hour-film project, Writer/Lead Actor, 2023), I Could Hurt A Fly (Award-winning Short Film, Actor/Runner, 2023), Night of The Crytptoid (Award-winning Short Film, Actor/Runner, 2023), Planet Caravan (Feature-film, Co-Creator/Writer, 2024), Dog Complex (Multi-national 48-hour-film project [UK + Aus], Director, 2024), Cigarettes & Bubblegum (Short-film, Writer/Director, 2024) Instant Finance NZ (TVC, Social Media Content Videographer/Runner, 2025), The Shadows of Trust (Feature-film - Wirra Distribution, Lighting Assistant, 2025), Cardinal Sin (Music video for Channel 44 10x10, Writer, 2025) Kin (Short film, Gaffer, 2025), Collapse (48-hour-film project, Writer/Director, 2025), It’s All Going Very Well, No Problems At All (Feature-film, Additional Grip, 2025), Organix: The GOAT of Oat (TVC, Runner/Grip Assist/Lighting Assist, 2026), Conan the Barbarian - His Weight in Gold (Short fan-film - endorsed by Dark Horse Comics, Gaffer, Grip, 1st AC, 2026), Before the Sun Rises (Short Film, Line Producer, Lighting Assist, 2026), Chiara, Stay Awhile (Short Film - Sofia Coppola Short Film Award top 25, Gaffer, 2026), Just Friends. (48-hour-film project, Writer/Director, 2026),
2nd/3rd Assistant Director, Script Supervisor, Gaffer, & Grip.
Although I would love to write, direct, act, and produce all of the time, there are so many projects constantly in the works that require other crew roles that it would be foolish not to contribute and help other upcoming filmmakers realise their own visions.
With my extensive credits, I have been privileged enough to explore most crew roles on professional sets. My work ethic has meant that even when out of my depth, I have still been able to contribute meaningfully to projects of vast ambition, and in the process, learn a huge amount.
I believe it is crucial to hone all the skills that make a set run smoothly - even if you find you’re not naturally talented at specific skills. A great director knows what they’re asking of their cast and crew, and the only way to know, is to do.
Creative & Marketing Consultant.
With an eye for detail, the ability to suggest creative routes not taken, and an aptitude for building on creative groundwork already laid, my skillset naturally translates to the marketing sphere.
Having worked with major musical labels through Lemontank, a London-based marketing company, I have helped to develop marketing plans for global-scale musicians. I have also worked closely with established production studios to develop advertising campaigns for TV, socials, and web.
I pride myself on my ability to collaborate effectively, and to elevate marketing projects into the sphere of sincerity. I believe that it doesn’t matter how professional a marketing plan looks, if it doesn’t feel genuine - cliche though it is. .
What I stand for.
Anyone who works in the film industry or its siblings (marketing, advertising, etc.) knows that they’re colossal. Filmmaking is an art form, and as a result, the artists involved with fostering its creation come in all shapes and sizes. That is truly incredible. It is a privilege to work in an industry that highlights the voices of minorities, (LGBTQIA+ filmmakers, First Nations filmmakers, culturally diverse filmmakers, disabled filmmakers, and more). However, with the good, also comes the not-so-good. The industry is also a breeding ground for malicious intent. Egos, narcissism, and selfishness often arise - likely at the cost of others’ safety or comfort. After working on a few less-than-just productions, I swore to myself to do all that I could to minimise this in future. I stand by acceptance, kindness, and collaboration; I refuse to work in an industry dictated by archaic, selfish, or hateful beliefs.
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